Vision of art
1. Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
“ Which artist would not liked to live in nature's bosom, in the primitive creation fund, where the secret key of Everything is? (Paul Klee). Who would not liked the transcendent experience of perceiving “that” which makes possible the eternal transformation of the universal magma. Everybody, more or less conscientious, we wish to understand and to make conditional in our favor the factors 's configuration whose determinate this that we call reality. But reality is changing in every instant, it flows and flees from our focus attention. We desire that “key' to reveal us the secret of causes and effects which would transform us into changes masters. Like the step from this word to the next, from this idea to the following idea, from this instant to the follower. That abyss that exists between things. Aren't we searching, and not few times desperate, a method to choose better our vital options? Point in which drain the horizon and philosophy establishes perception axis. Desire of representation is born. Transcription in real time, diagrams. Diagrams of present, the result emerges from the convergence of my pasts pictorial researches in studies and practices of Ichinen sanzen theories, which affirms that every instant is filled with three thousand opportunities that are constantly changing depending on how this factors of life of every single person an their environment are combined. Both in the morphological aspect as in the way of executing them, this exercises translates my perception about the instant as minimum time unity and the displacement of matter through time. It represents my universe passage perception form an instant to another, the transit as the appearance and extinction of immersed into causality phenomenons. This diagrams are double cause effect which funds are in a philosophical desire (of understanding) at first and second a testimonial (showing) among of being exercises to see in darkness, for intuition and an inter -dependence of everything experience. It represents the willpower of being in alert and establish an harmonic relation with the universal life's display. In the point where I start drawing the first circle (a circle is like an opportunity in potential state, one option out of the three thousands existents in every instant) a causes and effects ,of my past and present which pre figures my future, chain converges. The straight, pointed and curves lines segments represents potential connections between cause and effect. The first draw is an effect of my starting decision and at the same time is a cause charged with a latent effect, that will be materialized or not, on this basic level. What follows that first line is a new cause and effect chaining, secured now to the logic of the shapes that are produced as growing shapes when moving all over the surface. The result is a graphic or diagram of my life state, which shows through decisions about which direction the lines must pick in every instant, in every millimeter over the concrete medium. Like lines are points series, life is a succession of instants (moments). Electrocardiogram, , electroencephalogram, seismology, lie detector, flow diagrams, of the invisible. From the three thousand aspects, factors or present causes in every instant (instant as the minimum vital flow unity that goes from a beginning, development and ending) we just use one, going to a next instant defined (going better or not, our vital condition) according to the chosen option in the previous instant. Each option is then, a cause that will give an effect result. If the cause haves a negative value the effect will have it as well. In the diagrams all the options and causes in relation are revealed. The causes and effects can be replaced by neurons and synopsis functions or any other thing like for example: ideas, words, actions, chords, micro organisms or galaxies. In the diagrams all the options are connected in a same instant, in a way that, if this happens in reality, we would be face to face with an hypothetical state of life that would allows to contemplate in an instant all causes and effects implications connected at the same time in past, present and future
2. In general terms, how would you suggest to approach your work?
Like an attempt of adding up the acts of my life with those from who fights to achieve a world where Justice prevails.
3. In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
Jerónimo Bosch (because of a psychological depth); Van Gogh (because of his intensity); Kandinsky (because of his firsts abstractions); Klee (because of his theoretical speculations); Miró y Matta (because I enjoy and because I hear whispers); Xul Solar (because of freedom); Camarón de la Isla (because he taught me how to go with the flow); Piazzolla (because he taught me to compose); De la Vega and Kuitca (because of my amazement); Siquier (because every time I see his paintings I say to myself: “It's possible Emilio, it's possible”. And because I have learned something of each life/work that I pop in, I give profoundly thanks to all of them who dedicates his hours, days and life to try to express the best of himself.
4. Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
Sorry, I cant answer because I lack necessary information.
5. What tendencies or groupings from common elements do you see in argentine art of the last ten or fifteen years?
Sorry, I cant answer because I lack necessary information.