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Gabriel Baggio

Gabriel Baggio
 
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Gabriel Baggio was born in Buenos Aires in 1974, where he currently lives and works.
He attended the “Escuela Nacional de Bellas Artes Prilidiano Pueyrredón” (1998).
His work has been exhibited, among others, at the Museo del Chopo (UNAM, Mexico City, 2007), the Museo de Arte Contemporáneo de Río de Janeiro, Brazil (2007), the Museo de Arte Contemporáneo de Rosario, Argentina (MACRO, 2007), the Centre d'exposition de Saint-Hyacinthe (Montreal, 2006), the Irish Museum of Modern Art (Dublin, 2004), and the Museo de Arte Contemporáneo de Buenos Aires (MAMBA, 2003).
Some of his performances are: Learning Process series (Meat Majadito, Green Mole, Stewed Spinach Spaghettis, Crochet fabric, Making of a saucepan with a copper lid, among others, since the year 2006.) What is given (Buenos Aires and Montreal, 2005/6); Soup (Buenos Aires, 2002); Conversation (Buenos Aires, Dublin, Mexico City and Caracas, since the year 2000).
In 2002, he installed the individual exhibition “Grandson” at his grandparents house, and in 2007 did, together with other artists, “From the Soul”, an exhibition that took place in an apartment in Buenos Aires that had been recently unoccupied.

WORKS
What is given

What is given

Performance
Fundación Centro de Estudios Brasileros.
Buenos Aires, 2005
Centre d´exposition de Saint-Hyacinthe de Montreal.
Canada, 2006
On this work::
I asked my grandparents and my mother to cook a dish as a present to me, without any guidance on my part as to what to choose. My italian grandmother chose Spaghetti Bolognesa, my Polish grandmother went [more]

 
Cleaning in progress

Cleaning in progress

Performance
Shop at the Wan Chai neighbourhood
Hong Kong, 2005
On this work:
I was invited to work on the situation on the Wan Chai neighbourhood in Hong Kong, where the Government had been demolish all historic buildings in order to build up gigantic apartment blocks with touristic and commercial purposes.
I chose an old metallurgical shop (that was part of the [more]

 
Grandson

Grandson

Individual exhibition at the artist’s grandmother’s house.
Buenos Aires, 2002
On this work:
This exhibition was a great installation that took place at my grandmother’s house. Some objects were made in ceramics out of wooden tools that my grandfather (a carpenter) had made for my grandmother to cook. A cheese grater, a lettuce cutter, a flour sifter, etc.
In the [more]

 
Conversation

Conversation

Picture 1: Museo del Chopo, Mexico City (2007) / Picture 2: The living room of my house in Buenos Aires (2001) / Picture 3: Culture week because of the Brukman Factory, which had been taken over by its workers (Buenos Aires, 2003) / Picture 4: Wool Night, Buenos Aires (2003).

 
Learning processes

Learning processes

Picture 1: Making of a saucepan with a copper lid (learning process. With Manuel Reinerio Barranco), 2006. / Picture 2: Meat Majadito (Learning process, with Daisy Vargas), 2008 / Picture 3: Crochet-knitted handler (Learning process). With Cita, 2007 / Picture 4: Stewed Spinach Spaghetti (Learning process), with María Mercedes Román, 2006.

 
Chromatic variations

Chromatic variations

Picture 1: Decorative motifs for a sheet (Chromatic variations). 140 x 200 cm. 2008. / Picture 2: Decorative motifs for pillbox, plates and cups (Chromatic variations); variable measures, 2008. / Picture 3: Decorative motifs for tablecloth (Chromatic variations). 120 x 130 cm. 2007. / Picture 4: Decorative motifs for wallpaper (Chromatic variations). 100 x 70 cm, 2007.

 
Anthropophagic eye

Anthropophagic eye

Technique: Glazed ceramics

 
Soup

Soup

I invited my mother and grandmother to cook a soup live. The recipe was trasmitted generation after generation through my family’s femenine side and orally by my grandmother’s grandmother, and it’s weekly cooked nowadays by all members of my family. Each one brought the kitchen utensils with themselves and the ingredients that we normally use. After two hours (the cooking time), the [more]

 
VISION OF ART
Choose a work that represents you, describe it in relation to its format and materiality, its relation with time and space, its style and theme; detail its production process.
 
In general terms, how would you suggest to approach your work?
 
In reference to your work and your position in the national and international art fields, what tradition do you recognize yourself in? Who are your contemporary referents? What artists of previous generations are of interest to you?
 
Choose works or exhibitions from the last ten or fifteen years which in your opinion were very significant and explain why
 
What tendencies or groupings from common elements do you see in argentine art of the last ten or fifteen years?
 
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